In the heart of 1966, amidst the whirlwind of the British Invasion that had taken the world by storm, the beloved duo Peter and Gordon released another melodic masterpiece, a song titled “Woman.” It soared up the charts, a gentle folk-rock ballad that captured the hearts of millions. But behind its tender harmonies and commercial success lay a stunning secret, a clever deception orchestrated by one of the most famous faces in music history. The true identity of the songwriter was not some unknown talent named “Bernard Webb,” but none other than the legendary Paul McCartney of The Beatles.
This was not the first time McCartney, along with his songwriting partner John Lennon, had gifted a hit to the duo. Their pens had already produced the chart-toppers “A World Without Love,” “Nobody I Know,” and “I Don’t Want to See You Again.” But with “Woman,” McCartney embarked on a daring and audacious experiment. He wanted to test a theory, to see if a song could climb the charts on its own artistic merit, free from the colossal influence of the Lennon-McCartney brand. He shrouded his identity behind the pseudonym “Bernard Webb,” a name listed on the record sleeve, leaving the public entirely in the dark. It was a high-stakes gamble on the pure power of music.
However, the secret couldn’t be kept for long. The industry was buzzing, and some astute critics sensed a familiar genius at play. One review at the time prophetically stated, “This Bernard Webb has an amazing talent. Could even be Paul McCartney!” The speculation reached a fever pitch until the truth was finally, and dramatically, revealed to an unsuspecting American audience. During a live appearance on the popular television show “Hullabaloo” in April 1966, the duo came clean, and the identity of the mysterious songwriter was a secret no more.
The revelation sent shockwaves through the music world, but it only amplified the song’s allure. Its success was undeniable, a testament to McCartney’s hypothesis. It climbed to #14 on the US Billboard Hot 100 and became a cherished hit across the globe. For Gordon Waller, one half of the iconic duo, the song held a place of unparalleled significance. It was, in his eyes, their magnum opus. In a candid reflection on their work, Waller’s voice filled with pride as he described the song’s incredible versatility: “you can sing it without any music, with one guitar, with a band, or with a bloody orchestra.”